@melissageurts

Looking at the play counts and titles, @melissageurts appears to draw listeners in with emotionally direct, conversational songwriting that doesn't shy away from messiness or contradiction. The titles themselves suggest someone interested in exploring feelings that resist easy categorization or romantic framing. "Miss my worst" and "nvm:)" convey a kind of self-aware deflection, while "not because it's romantic" seems to push back against sentiment itself. This pattern suggests the artist appeals to listeners who appreciate vulnerability expressed through irony and specificity rather than grand gestures. The sheer play counts on "miss my worst" and "nvm:)" indicate these tracks have something immediately compelling and repeatable about them. Their popularity relative to the others suggests they might have achieved a balance between accessibility and the artist's more intimate sensibility. "Temper temper (lumière menteuse)" breaking into the top five despite fewer plays than some others hints that listeners return to it persistently, which could indicate either exceptional production or a chorus that demands replaying. The titles again reinforce that Geurts seems to favor specificity and small emotional truths over broad appeals. There may be production minimalism at work here, letting conversational vocals and relatable lyrics do the heavy lifting rather than elaborate arrangements. For listeners drawn to this catalog, Adrianne Lenker from Big Thief would be a natural recommendation. She shares that same gift for finding profound emotion in small domestic moments and conversational language, paired with production that knows when to stay quiet and let the songwriting breathe.