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Talii
Listeners
7.6K
7,642
Scrobbles
52.5K
all time
Fans
71
followers
Top track plays
21.9K
Good to Be Bad · 21,888

Top tracks

5 tracks · by plays
01 21,888 plays
02 9,351 plays
03 5,621 plays
04 2,956 plays
05 2,107 plays

AI insight

AI-generated

Talii's streaming data reveals a fascinating pattern of listener engagement centered around a dominant track that significantly outperforms the rest of the catalog. Good to Be Bad has accumulated more than double the plays of the second-place track, suggesting this song has achieved either viral status or exceptional staying power with a core audience. The dramatic drop-off after this peak indicates that while Talii has cultivated devoted listeners, most fans are drawn to this specific track rather than maintaining consistent engagement across the entire catalog. The gap between the top track and subsequent releases suggests that Good to Be Bad likely contains elements that resonate broadly with listeners, whether through a memorable hook, relatable lyrics, or production quality that stands apart from other releases. The songs that follow, particularly POINTLESS NUMBERS, still maintain respectable numbers but show a more moderate level of engagement, indicating secondary tracks that appeal to committed fans rather than casual listeners. Regarding production and songwriting patterns, the titles themselves offer some clues about thematic content. The contrast between Good to Be Bad and Where Did We Go Wrong suggests Talii may work within introspective or relationship-focused songwriting. The prevalence of numbers in titles like POINTLESS NUMBERS and the casual tone of More Than Friends indicate an artist comfortable with conversational, accessible lyrics that might explain the broad appeal. The relatively consistent streaming across the lower tracks hints at solid production quality throughout, even if certain songs achieve breakthrough moments. For listeners drawn to Talii's style, I would recommend exploring the work of Conan Gray. Gray shares a similar sensibility combining accessible pop songwriting with emotionally intelligent lyrics, and both artists seem to resonate with audiences through memorable melodies wrapped in contemporary production. Gray's breakthrough track Memories has that same quality of universal appeal that seems to define Good to Be Bad.

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